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Do Toronto women need another gender-flipped film?

The trailer for the gender-flipped Ocean’s 8 movie dropped last week.

It does look good. The cast is amazing — Sandra Bullock, Cate Blanchett, Mindy Kaling and Rihanna to name a few — and the one-liners made me chuckle. I was a fan of the original Ocean movies, so I will probably see this one. It is being described as not a remake, but rather a spin-off or a sequel. It follows the storyline of Debbie Ocean, sister of Danny from the original films, who wants to steal an incredibly expensive diamond necklace worth one or one and a half billion dollars (unclear). She assembles seven other women to help with the job.

This is the second “gender-flipped” film set to be released. The first was the all-female Ghostbusters reboot and there are rumours of more on their way.

While I’m all for seeing films with strong female characters, I have to wonder why they are all remakes or sequels to pre-existing films in which the cast was dominated by men? Can anyone come up with a movie script that has a predominately female cast, with complex characters and a decent storyline. Wonder Woman was a good film, but those characters were also pre-existing in lore and comics.

Other original films revolve around romance or motherhood — and most of them are really terrible. They tend to make fun of women more than they empower them. What the world needs isn’t another remake, but rather an intense drama or action film with a diverse range of female stars. Preferably, this original film would be written, directed, and produced by a woman. 

I know it may be a long time until something like this is produced. But, I think the challenge is worth it. In light of feminism being the word of the year and sexual harassment being the story of the year, maybe it’s time to start considering real, strong women as inspiration in film.

Canadian actress Tatiana Maslany wins Emmy for Orphan Black

There were a lot of good things that came from Sunday night’s Emmy’s — but for me, the most exciting was that Canadian actress Tatiana Maslany won an award for outstanding lead actress in a drama series.

Yes! I am a part of the Clone Club fan base and I’m not afraid to shout it from the rooftop. But, more specifically, I am a huge fan of Tatiana Maslany.

Maslany plays over 10 different characters in the hit sci-fi television show Orphan Black. Her characters are all clones, but they lead unique and separate lives. They have individual looks, accents, and personalities. Maslany’s ability to make the audience actually believe she is playing different people is what makes her deserving of this award — in fact, I find it hard to believe that it has taken this long.

Not only does Orphan Black create a realistic and frightening portrayal of a world in which evolution can be hand-picked and where sentient beings are considered intellectual property, but it also deals with a number of gender-specific issues that a lot of television shows steer away from. Maslany has played a hot-tempered, single mom from London, England; an American police detective with a drug addiction; a traditional (but scary) soccer mom; a lesbian nerd and geneticist; a tortured Ukrainian assassin; and even a transgendered male. And that is just a list of SOME of the clones within the series. It seems every few episodes a new character is introduced into the plot.

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These characters not only fight to gain their independence and freedom from their creators, but they also represent strong and capable women (and men). What I love about the show is they don’t shove these gender roles, or rather the lack thereof, in your face. LGBTQ characters like clone Cosima and adopted brother Felix are simply there, existing along with everyone else, fighting for the same cause.

That may seem like a strange statement — to say that these characters are “simply existing.” But, in many television shows, writers will use LGBTQ characters as a way to introduce gay-or-lesbian-specific problems or conflicts. They stand out, becoming the quintessential and/or token “gay” or “lesbian” personas.

That is not the case in Orphan Black. If a character is gay, it’s considered a fact. That’s it. Instead of making their gender or sexual orientation a part of the plot, the show focuses on the larger storyline — keeping your family safe and implications of genetic manipulation.

And that’s how it should be.

Even Maslany, who has been nominated twice for the award, acknowledged this powerful part of her role during her acceptance speech. “I feel so lucky to be part of a show that puts women at the center,” she said amid her thank you’s.

I am overjoyed that Maslany has finally received the recognition she deserves for her role in Orphan Black. Every episode I watch, I find that I’m admiring her talents more and more. I don’t know another actress who is able to play such a variety of characters with such intensity, passion, and ability — and all within 45 minutes of television.

So, without risking spoilers, let me just say this: Maslany, congratulations on your Emmy! It is well deserved.