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Women’s wrestling matches finally takes the spotlight!

It started officially with a simple hashtag on Twitter, and just like that women in pro-wrestling were no longer campaigning for better or longer matches behind the scenes, now the fans- millions strong -were also campaigning for them.

The hashtag #GiveDivasAChance went viral for three days and was so strong that WWE could no longer ignore the sweeping demands of their customers. The people had spoken and it was time for the female wrestlers to enjoy the spotlight just as the men.

For as long as I can remember I have loved watching wrestling and I had always accepted on some level that there were no real women matches, that the women were side characters, that their matches were more comic relief than actual story-lines, or they were stuck in crazy love interests and rarely had screen time.

At first I thought maybe they just were afraid to get as physical as the men, afterall a lot of them looked more like models than fighters. Then I became angry because I wanted to see more women have those chances, I wanted to know what it would be like to see a woman diving off the second rope and tackling another. I wanted to see them evolve.

The late Chyna, better known as “the 9th wonder of the world” was the eye-opener for me. She was a huge, muscular and pretty woman who was not afraid to go toe-to-toe with anyone. Male or female and I remember one Saturday as me and my brother watched the program wondering if there would be a time when more women would be allowed to show their might as fighters.

Fast forward to 4 years ago and I’m watching AJ Lee and Paige put on a match that took my breath away. I live for the story-lines and the way the matches develop. I also love when you can see emotions and passion in a match that fit the story being told. This match was perfect for me. When AJ Lee dove off the top of the ropes onto Paige, they instantly became my favourite and just as I did with Chyna, I was front and center whenever they were on TV.

Finally WWE listened and created the ‘Divas Revolution’ that meant more women wrestlers on their shows, this lead to the birth of women being called ‘Superstars’ instead of ‘Divas’ and it also lead to women being featured in the main events of the shows, having more than one match at the pay per views and being seen as more than side pieces but legit fighters in their own right.

Finally the misogynist views of the WWE were crumbling. So can you even begin to imagine my excitement about the upcoming All Women’s Pay Per View on Sunday?

No you cannot. There are a few matches I am beyond ready to watch, including the first ever Last Woman Standing Match with one of the best story-lines WWE has ever had, just because it took over 5 years to properly flesh out and it has not gotten old yet. I can watch Becky Lynch and Charlotte Flair go at it for ever- they are part of the four horsewomen of the WWE for a reason.

This pay per view has come a lot faster than anyone could have imagined but it shows that finally the WWE is ready to embrace the emotions and needs of its fan base and the fans themselves are indeed ready to let go of the idea that wrestling is for men only and see the real talent, passion, hard work and sacrifices that both sexes are putting into their careers.

For that alone I hope to see more progression and growth for the industry and more amazing and entertaining matches. The aesthetic on female athletes are changing and the promotion is ‘Yes you can, just be you and never give up’.

The poetic justice of growing old and letting go in “The Analyst”

“It’s always backwards in analysis, isn’t it?,” poet Molly Peacock asks in her new collection.

The Analyst by Molly Peacock is a book of poetry that explores the evolution of relationships as people grow older over time, and how these emotions can be captured and understood through the process of creative license. The anthology of poems is based on the author’s relationship with her therapist, Joan Workman Stein, who she met in New York when she was a young woman and stayed in contact with for several years. Stein suffers a stroke and Peacock, once the patient, becomes a caregiver in helping her therapist recover.

The book is separated into four parts, Part One: The Pottery Jar; Part Two: The Hours; Part Three: Ruby Roses, Kiss Goodbye; and Part Four: Whisper of Liberty. Each section follows the two friends through the initial shock of having a loved one experience a stroke, helping them recover, letting go of their lost capacities and accepting their new self. Peacock helps Stein to rediscover her lost love of art, and it ultimately becomes the tool that brings her back to life.

Peacock ultimately realizes that Stein helping her all of those years prepared her to return the favour when her therapist reaches old age and needs someone to be there. In the final poem, “Mandala in the Making”, she states, “Only when something’s over can its shape materialize,” thus showing that life is a series of evolutionary cycles repeating themselves throughout time. The Analyst uses a deeply creative means to show how people can never know quite what certain events their lives truly mean until they have passed.

The set of poems employs subtle references and the author’s own experiences to lead the reader down a path of understanding long-term relationships and how they change as people grow older. Oftentimes, poetry seeks to avoid the more disgusting facts of aging, and focuses instead on the beauty of youth and love. Peacock avoids this pattern and faces the gruesome realities that lie behind having a stroke and losing the capacity to be fully functional that is ultimately a result of aging. In “The Canning Jar”, it is almost hard to swallow the description of the dead rabbit in the St. Lawrence Market, but the reader is forced to contend with death and ultimately reconcile with it.

Overall, Peacock takes the mundane and turns it into art. Growing old is by no means special, but her changed relationship with her therapist puts her in a position to see how letting go of the old self is always a singularly unique and beautiful experience no matter how it happens or who it happens with. The journey of The Analyst becomes exceptional precisely because it turns the tragedy of a stroke into the miracle of rebirth when Stein embraces becoming an artist and let’s go of being a therapist.

This book of poems is a great read, especially for someone looking to reconcile with an aging loved one. Peacock engages with the trauma of watching her friend be affected by a stroke and the reader can feel her desperation and eventual acceptance. Take a chance on The Analyst and it will leave you wondering which relationships will change and evolve over time and how each person will meet their own limitations of mortality.