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Women of the week: ILana Tarutina

Music has always been a big part of ILana Tarutina’s life. She started singing in choirs at the age of 8, then started taking private vocal lessons and piano lessons at the Royal Conservatory of Music. With the knowledge gained from this, she started composing and creating tracks.

“By the age of 14 I was writing my own songs and at 16 I got my first set of music production equipment and started dabbling with arranging and beat making,” she says.

Now, she owns ILE Records, a company that offers songwriting, composition, production, recording and mixing.
“I’m proud of myself for building my production studio from scratch,“ she says.

As a female producer, she is an oddity in her field. She is quick to recognize this fact, yet remains hopeful for change.
“Unfortunately in my industry, men still heavily dominate the role of a music producer. I’m sure that will change within time, as there are more and more female producers on the rise.”

Despite this amazing accomplishment, she is still incredibly humble and is quick to recognize that she is not a perfect fit for everyone.
“As far as me producing for other artists goes, it’s all about what the artist is looking for, sometimes I may be a good fit sometimes someone else may be a better fit. I know what I bring to the table, I know my sound and production styles and I am aware that it doesn’t suit everybody.”

Although her producing venture has been a success, she hasn’t given up on her writing, and cites that her goal “is to write great songs, be it for me or other artists.”

And, yes, she is still a singer—and an original one at that.

“I’ve been told that I have a unique sound, perhaps it’s because I use original sounds in my production, perhaps it’s because when I sing I have a Russian accent!”

As a female producer with a unique sound, it is safe to say that ILana Tarutina is one of a kind. She is also a fighter, which is why she made it in her industry.

“Anybody entering the music industry has to be resilient,” she says. “Expect lots of pit falls and disappointments and forget overnight success. To make it in every industry requires lots of determination and hard work, in music industry that is especially true since it’s 1000 times more competitive than other industries. A song can be an overnight hit, but the legwork to make that song can be years.”

Sound advice from someone who has spent her entire life in the field.

Win tickets to see Bon Jovi!

Are you living on a prayer that you’ll get to see Bon Jovi live in concert? Well, after criss-crossing the globe on his Because We Can tour he’s coming back to Toronto and Women’s Post has a pair of tickets to give way to a lucky reader. Put on your copy of What About Now, book off November 1st,  then enter our contest today.

Contest Rules & Regulations:
Contestants must reside in Canada (excluding Quebec) to be eligible to win
Contestants must be 18 or older
Contestants are eligible to enter 1x daily (further entries will not be counted)
Contest closes on Friday, June 28th, at 2 p.m.

CONTEST CLOSED

LISTEN: We love the new Carly Rae Jepsen — and so do you!

In case we haven’t made it clear with some of our previous stories, we adore Carly Rae Jepsen. Canada’s girl next door has managed to captivate us once again with her amazing new tune “Tonight I’m Getting Over You” that is meant for blasting at top volume on a beautiful spring day like this.

Give it a try and try and say that you aren’t downloading it to play on repeat right away.

Oh, and there’s a remix featuring Nicki Minaj on the way. Summer anthem? Here’s hoping.

Newly uncovered Evan Cassidy

American Tune

Evan Cassidy

Blix Street Records

Evan Cassidy, died far too soon at age 33, and American Tune may be the final testament to her remarkable voice. American Tune is comprised of  five tracks of newly uncovered rehearsal tapes, three live recordings, a demo and an early recording of that too-covered tune (but not here),  the Lennon-McCartney standard Yesterday.

 

In her usual eclectic fashion, Cassidy raids the vaults of rhythm & blues (Ray Charles’s Hallelujah I Love Him So), Philadelphia soul  (the Gamble-Huff Drowning in the Sea of Love), pop (Cyndi Lauper’s lovely True Colors), folk (an exquisite reading of the traditional The Water is Wide) and jazz (Duke Ellington’s It Don’t Mean a Thing if It Ain’t Got That Swing). One can only hope that there are still more Cassidyean treasures yet to be uncovered.