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Leonard Cohen through a millenial’s eyes

How do you encapsulate the life and career of a Canadian icon that defined generations of poetry and music lovers?

Pouring over years of interviews, poems, songs and cultural tidbits, the task of writing an ‘Ode to Leonard Cohen’ becomes overwhelming. As a millennial writer, how could I possibly do the poet and singer-songwriter justice? I struggle to find the proper words to express how culturally defining and life-changing Cohen was for aspiring Canadian writers and singers. But then again, once upon a time Cohen was a young man too before he captured the world with his magical words.

Cohen was a young aspiring writer who graduated from McGill with his B.A, just an aspiring poet, like so many I sat and dreamed with in my own poetry classes in university. He was a dreamer who had a gift — and he changed the world. Suddenly, the man behind the song ‘Hallelujah’, which has been performed by over 200 artists, doesn’t seem so difficult to write about after all.

Cohen approached the world with fearlessness, pursuing his writing career despite other paths he may have taken. His first book of poems, Let Us Compare Mythologies, was published one year after he graduated from university in 1956 and didn’t fare very well. He pursued studies at Columbia and a variety of temporary jobs until publishing The Spice Box of the Earth that was well-received. Cohen could’ve given up after his first attempts at being a successful writer, but persevered. Imagine a world where he would’ve chosen otherwise and the likes of his novel, Beautiful Losers, or the poems from Book of Longing may have never been produced.

Cohen was a Canadian icon because he continued despite all obstacles. Moreover, he was described countless times throughout the years as a humble man. To be humble and successful is definitive of a cultural genius in my mind, and this sets a fine example for millennial writers looking for an example to follow. When asked about his own work, Cohen famously said, “I never had a plan. I had a certain kind of faith…if the work was good enough or, more specifically, if the work was appropriate to move into the world, it would move into the world…”. His persistent conviction allowed Cohen to create freely without being bound to a sense of greed or power.

Many Cohen fans were surprised with his move into music, and he was even discouraged from pursuing a career as a singer because he was getting into his 30’s (noticeably older than other first-time performers of the time). Again, Cohen ignored criticisms and followed his passion for music, leading him to produce hits such as ‘Suzanne’, ‘Bird on a wire’ and ‘So Long, Marianne’. His singing career spanned 50 years beginning in 1966 with Songs of Leonard Cohen to his album You Want it Darker released before his death on November 7, 2016.

Cohen teaches Canadian millennial writers and musicians to never stop believing that your passions and dreams can come true. With dedication, focus, passion, persistence, and stamina, anyone can achieve greatness. Cohen came out of a generation where Canadian singers and songwriters were often pushed aside by American contemporaries, but he never let that stop him. Instead, he used his Canadian identity as an emblem of greatness and even had a brief love affair with Janis Joplin along the way.

Cohen described his love of Canada often, and he really led the way for other Canadian writers and musicians. “I do love Canada, just because it isn’t America and I have, I suppose, foolish dreams about Canada. I believe it could somehow avoid American mistakes, and it could really be that country that becomes a noble country, not a powerful country,” he said.

If you are ever stuck for inspiration in the creative process, I urge you to follow a series of simple steps. Grab any Cohen volume, plug in New Skin for the Old Ceremony on vinyl, make a cup of coffee and open your heart to the world through this rare man’s eyes. Cohen will be missed by many, but he truly lives on in the hearts and minds of young Canadian writers and music lovers everywhere.

Women of the week: ILana Tarutina

Music has always been a big part of ILana Tarutina’s life. She started singing in choirs at the age of 8, then started taking private vocal lessons and piano lessons at the Royal Conservatory of Music. With the knowledge gained from this, she started composing and creating tracks.

“By the age of 14 I was writing my own songs and at 16 I got my first set of music production equipment and started dabbling with arranging and beat making,” she says.

Now, she owns ILE Records, a company that offers songwriting, composition, production, recording and mixing.
“I’m proud of myself for building my production studio from scratch,“ she says.

As a female producer, she is an oddity in her field. She is quick to recognize this fact, yet remains hopeful for change.
“Unfortunately in my industry, men still heavily dominate the role of a music producer. I’m sure that will change within time, as there are more and more female producers on the rise.”

Despite this amazing accomplishment, she is still incredibly humble and is quick to recognize that she is not a perfect fit for everyone.
“As far as me producing for other artists goes, it’s all about what the artist is looking for, sometimes I may be a good fit sometimes someone else may be a better fit. I know what I bring to the table, I know my sound and production styles and I am aware that it doesn’t suit everybody.”

Although her producing venture has been a success, she hasn’t given up on her writing, and cites that her goal “is to write great songs, be it for me or other artists.”

And, yes, she is still a singer—and an original one at that.

“I’ve been told that I have a unique sound, perhaps it’s because I use original sounds in my production, perhaps it’s because when I sing I have a Russian accent!”

As a female producer with a unique sound, it is safe to say that ILana Tarutina is one of a kind. She is also a fighter, which is why she made it in her industry.

“Anybody entering the music industry has to be resilient,” she says. “Expect lots of pit falls and disappointments and forget overnight success. To make it in every industry requires lots of determination and hard work, in music industry that is especially true since it’s 1000 times more competitive than other industries. A song can be an overnight hit, but the legwork to make that song can be years.”

Sound advice from someone who has spent her entire life in the field.