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Hameln- Travels to a fairy tale town

In Germany, there is a REAL town of Hameln, the setting of the fairy-tale, the Pied Piper, which just so happens to be one of my most memorable fairy tales as a child. I was always an avid reader as a child and I truly loved that tale.

As the story goes, in 1284, the town of Hameln was overrun with rats, so as a solution, they hired a rat-catcher to lure the rats away from the village. This man wore colorful “pied” clothing and walked through the village, playing his flute, luring the rats away with his song. He was successful, but the mayor refused to pay him for his services, cheating him out of the promised reward. A year later, the pied piper returned while the adults were in church and in revenge, played his magic flute and lured the children of the village away, never to be seen again.

In one version of the tale, it is said that the children were lured into a mountain cave. Another version has a different ending: the children were led to a river, where they drowned.

Dark, right? Despite that, I always wondered what it would be like to be in a real fairy-tale town and as an adult, my dream came true.

I visited the town of Hameln, in Germany!

As I walked through the streets of the town; my eyes wide like an excited child’s, as I took everything in, I was in awe of the dreamy feeling the town manifested.

From the cobblestone streets, the buildings …everything looked as if I were staring at a storybook page … except I was there…in real life and I imagined what it was like back in that time of the fairy-tale, and I started thinking about the different people who like me had walked up and down these narrow streets, centuries before.

Many other tourists and locals walked past me on the streets, taking photos and looking at the famous architecture. The houses were still in pristine condition and I wondered what the interior looked like, whether they were even more beautiful on the inside and when were they all built.

In a prominent position in the town square, a statue caught my attention, and lo and behold!

It was him, the Pied Piper!

I tried to hold in my excitement as I examined the statue that stood proudly on a fountain, but like the true tourist I was, I could not help but to take as many photos as possible, needing to document this amazing discovery.

Near to the statue, is a famous church in the town square with an inscription on the stained glass window which states:

In the year 1284 after the birth of Christ
From Hameln were led away
One hundred thirty children, born at this place
Led away by a piper into a mountain.”

The inscription was made to remember the terrible tragedy, I realised and as I continued my exploration, I found that near the statue, was the Pied Piper House, which also bore an inscription about the incident. For me, it was blatant proof that this “fairy-tale” was actually real!

Something that I had believed was the imaginings of a wonderful writer may indeed be based on a real life story, which only made me love the town even more.

Hameln became famous centuries ago due to the fairy-tale and today there are museums, cafes and souvenir shops in the town square, which boost tourism even more. Every day, the locals put on an open-air play depicting the Pied Piper tale with colorful costumes and it is a one of a kind, amazing experience.

Another attraction is the “glockenspiel” which is a large clock at the top of the church that plays a mechanical ballet, three times a day. The bronze doors of the clock open and show figurines of the Piper, rats and children while the chimes play the Pied Piper song.

I highly recommend visiting Hameln for a truly unforgettable historic experience. Every step I took through the Altstadt (Old town) was a step back in time, into the storybook that forever exists in my mind.

It was more amazing and picturesque than I ever believed it could be. Now I want to explore other fairy-tale towns and walk through old castles and feed my inner child some magical adventures!

Review: “The Heaviness of Things that Float”

Aboriginal culture is a large part of Canadian heritage and has been a heavily discussed issue in current politics. Canadian aboriginals are often misunderstood, and the true ties to their culture can feel remote and forgotten.

The Heaviness of Things that Float by Jennifer Manuel is a narrative set in coastal B.C that discusses each of these issues in a delicate manner through the eyes of main character, Bernadette Perkal. Bernadette is a nurse stationed for 40 years at a fictional remote native reserve, Tawakin. The novel begins with the disappearance of Chase Charlie, an aboriginal man that Bernadette helped raise when he was a young boy. The community creates a search party and the reader is introduced to the small community of 100 people that live at the reserve.

Heaviness of things that float

As the story progresses, we learn of Bernadette’s love affair with local resident, Frank, and its tragic ending. The reader quickly discovers that Bernadette is retiring and leaving the reserve to live out her remaining days in Duncan, B.C. It also becomes clear that Bernadette feels like she is an outsider and worries that her 40 year commitment to the clan does not matter.

When the new nurse, Wren Weatherstone arrives for training, the separation between the people of reserve and the nurses becomes more pronounced. Bernadette begins to understand the meaning of her privileged upbringing and the historical ties leading up to the distinct separation between different Canadian cultures. Wren also introduces more politicized themes into the novel, mentioning her attendance at a protest in Vancouver for the Idle No More movement.

The Heaviness of Things that Float carefully discusses the assumptions that many Canadians attach to aboriginal culture. Manuel displays a compassionate account of the need to detach aboriginal culture from others to protect it, and emphasizes that coastal aboriginals are not looking for a saviour, but respect. The importance and power of stories is intricately woven into the story and the coastal landscape plays a powerful role in the climax of the novel.

Jennifer Manuel has spent many years invested in coastal Aboriginal culture and gives a very truthful account of her own experiences. She was a treaty archivist and then a teacher for the Ktunaxa, Tahltan and Nuuchah-nulth peoples. Manuel talks about her own novel in the introduction, emphasizing the themes of privilege, and “the nature of belonging, the limits of knowing one another and the stories of arrival that tangle with the stories of contact.”

Though Tawakin is a fictional place, Manuel creates a very realistic story for readers and does not give in to a traditional happy ending. The novel becomes heavier as the plot progresses, but the story retains a spiritual acceptance of fate and its consequences. This novel is a great read for any lover of the ocean and coastal aboriginal culture, and it will transport you to a peaceful place where hidden realities lie waiting.